Gustavo Nazareno, ‘Orixás: Personal Tales on Portraiture’

Opera Gallery is pleased to present an expansive body of new work by Gustavo Nazareno. Curated by Samuele Visentin, this exhibition presents two distinct but inextricably linked series. Nazareno’s oil paintings, varying in scale but always monumental in their spiritual resonance, are presented alongside monochromatic charcoal drawings from his Bará series. Both groupings pay homage to the pantheon of Orixás, deities worshipped across a number of Afro-Latin religions and within Nazareno’s own spiritual praxis.

Gustavo Nazareno

Oyá
2024
Oil on linen
180 × 200 cm | 70.9 × 78.7 in

“I have been manifesting this show since I started understanding my purpose in art – to elaborate my faith, my passions, and my universe.”


- Gustavo Nazareno

Gustavo Nazareno

Bará #425
2019–2024
Charcoal on Hahnemühle cotton paper 190 g/m2
66 × 50 cm | 26 × 19.7 in

Gustavo Nazareno

Bará #403
2019–2024
Charcoal on Hahnemühle cotton paper 190 g/m2
66 × 50 cm | 26 × 19.7 in

Gustavo Nazareno

Bará #409
2019–2024
Charcoal on Hahnemühle cotton paper 190 g/m2
66 × 50 cm | 26 × 19.7 in

Gustavo Nazareno

A little song of a new passage
2024
Oil on linen
40 × 30 cm | 15.7 × 11.8 in

“I believe that living in the shadow of today’s world events calls for a growing need of spiritual grounding and Gustavo, in the privacy of his own studio, paints the return of the gaze to an inner dimension.”


- Samuele Visentin, Curator

Gustavo Nazareno

Elegbara
2024
Oil on linen
50 × 50 cm | 19.7 × 19.7 in

Gustavo Nazareno

Bará #414
2019–2024
Charcoal on Hahnemühle cotton paper 190 g/m2
66 × 50 cm | 26 × 19.7 in

Gustavo Nazareno

Bará #405
2019–2024
Charcoal on Hahnemühle cotton paper 190 g/m2
66 × 50 cm | 26 × 19.7 in

Its name a shortening of Elegbára, one of the names of central Orixá Exu, Nazareno understands his ongoing Bará series as a perpetual dance, captured in a sequence of snapshots. “[Exu] is the connector between the human and the divine,” the artist explains.

Gustavo Nazareno

Bará #427
2019–2024
Charcoal on Hahnemühle cotton paper 190 g/m2
66 × 50 cm | 26 × 19.7 in

“I like how fashion can tell a story and how fashion photography can capture all of it in just one image.”


- Gustavo Nazareno

Gustavo Nazareno

The man who lived under the mountains (Oshosi)
2024
Oil on linen
150 × 120 cm | 59.1 × 47.2 in

Gustavo Nazareno

Obatalá
2024
Oil on linen
40 × 30 cm | 15.7 × 11.8 in

Of the broad range of sources that Nazareno draws on in his work, fashion is one of the most pertinent. He clothes his subjects in outfits of his own design, blending the overlapping aesthetics of traditional religious dress and haute couture.

Gustavo Nazareno

Bará #415
2019–2024
Charcoal on Hahnemühle cotton paper 190 g/m2
66 × 50 cm | 26 × 19.7 in

Gustavo Nazareno

Bará #421
2019–2024
Charcoal on Hahnemühle cotton paper 190 g/m2
66 × 50 cm | 26 × 19.7 in

Gustavo Nazareno

Bará #426
2019–2024
Charcoal on Hahnemühle cotton paper 190 g/m2
66 × 50 cm | 26 × 19.7 in

Gustavo Nazareno

Oshún
2024
Oil on linen
200 × 170 cm | 78.7 × 66.9 in

Gustavo Nazareno

Bará #420
2019–2024
Charcoal on Hahnemühle cotton paper 190 g/m2
66 × 50 cm | 26 × 19.7 in

Gustavo Nazareno

Bará #417
2019–2024
Charcoal on Hahnemühle cotton paper 190 g/m2
66 × 50 cm | 26 × 19.7 in

Gustavo Nazareno

Omolú
2024
Oil on linen
200 × 170 cm | 78.7 × 66.9 in

“Nazareno’s artistic journey is a profound exploration of his Afro-Brazilian heritage, seamlessly blending black cosmologies and worldviews with contemporary art forms and identities.”


- Jonathan Michael Square, writer, historian, and curator of Afro-Diasporic fashion and visual culture

Gustavo Nazareno

Eshu guiding a peth
2024
Oil on linen
150 × 120 cm | 59.1 × 47.2 in

Gustavo Nazareno

The Conqueror
2024
Oil on linen
30 × 40 cm | 11.8 × 15.7 in

Exhibition photography © Eva Herzog Photography